This book contains essays written by eminent phenomenologists & scholars closely related to R. Bernet, a person and a philosopher (colleagues, friends and collaborators, former students). The intellectual and worldwide authority of R. Bernet's work is well represented by the list of contributors, as well as by the content of their chapters. In a sense, this volume is a good ind...(展开全部)

This volume of essays explores major connected themes in Aristotle's metaphysics, philosophy of nature, and ethics, especially themes related to essence, definition, teleology, activity, potentiality, and the highest good. The volume is united by the belief that all aspects of Aristotle's work need to be studied together if any one of the areas of thought is to be fully underst...(展开全部)

In this beautiful meditation on the history of art and the problem of style, Henri Focillon (1881-1943) describes how art forms change over time. Although he argues that the development of art is reducible to external political, social, or economic determinants, one of his great achievements was to lodge a concept of autonomous and organic artistic creation within the shifting ...(展开全部)

In this beautiful meditation on the history of art and the problem of style, Henri Focillon (1881-1943) describes how art forms change over time. Although he argues that the development of art is reducible to external political, social, or economic determinants, one of his great achievements was to lodge a concept of autonomous and organic artistic creation within the shifting ...(展开全部)

Speaking about Chinese writing entails thinking about how writing speaks through various media. In the guises of the written character and its imprints, traces, or ruins, writing is more than textuality. The goal of this volume is to consider the relationship of writing to materiality in China's literary history and to ponder the physical aspects of the production and circulati...(展开全部)

Speaking about Chinese writing entails thinking about how writing speaks through various media. In the guises of the written character and its imprints, traces, or ruins, writing is more than textuality. The goal of this volume is to consider the relationship of writing to materiality in China's literary history and to ponder the physical aspects of the production and circulati...(展开全部)

Colleagues and former students of Gregory Schopen honor his path-breaking contributions to Buddhist studies with these articles on the early Mahayana, the monastic codes, and Buddhism’s art-historical and epigraphical remains. This volume honors the profoundly transformative influence of Gregory Schopen’s many contributions to Buddhist studies. Eighteen articles by former stude...(展开全部)

Colleagues and former students of Gregory Schopen honor his path-breaking contributions to Buddhist studies with these articles on the early Mahayana, the monastic codes, and Buddhism’s art-historical and epigraphical remains. This volume honors the profoundly transformative influence of Gregory Schopen’s many contributions to Buddhist studies. Eighteen articles by former stude...(展开全部)

Wen C. Fong established America's first program in East Asian art history at Princeton University, where he taught Chinese art from 1954 to 1999. During this time, he supervised more than thirty PhD students, most of whom have gone on to hold professorships or museum positions throughout the United States, East Asia, and Europe. This two-volume book honors Professor Fong's extr...(展开全部)

Wen C. Fong established America's first program in East Asian art history at Princeton University, where he taught Chinese art from 1954 to 1999. During this time, he supervised more than thirty PhD students, most of whom have gone on to hold professorships or museum positions throughout the United States, East Asia, and Europe. This two-volume book honors Professor Fong's extr...(展开全部)